Martin Parr (born 1952) is a British documentary photographer and photojournalist. He has worked on many photographic projects that take a critical look at modern society, specifically consumerism, foreign travel and tourism, motoring, the idea of family and relationships and food.

Parr is known for his lurid, and sometimes shocking, use of colour in photography. His satirical, witty approach to documentary photography leaves the viewer not sure whether to laugh or cry.

William Eugene Smith (1918-1978) was an American photojournalist known for his refusal to compromise professional standards and his brutally vivid World War II photographs.

Born in Wichita, Kansas, Smith graduated from Wichita High School North in 1936. He began his career by taking pictures for two local newspapers, the Eagle and the Beacon. He went to New York City and began work for Newsweek and became known for his incessant perfectionism and thorny personality. Smith was fired from Newsweek for refusing to use medium format cameras and joined Life Magazine in 1939. He soon resigned from Life and was wounded in 1942 while simulating battle conditions for Parade magazine.

Alfred Eisenstaedt (December 6, 1898, Dirschau, West Prussia (now Tczew, Poland) - August 24, 1995, Jackson Heights, Queens, New York) was a photographer and photojournalist, best remembered for his photograph capturing the celebration of V-J Day.

Eisenstaedt immigrated to the United States in 1935, where he lived the rest of his life. Eisenstaedt worked as a photographer for Life magazine from 1936 to 1972. His photos of news events and celebrities, such as Sophia Loren and Ernest Hemingway, were featured on more than 90 Life covers.

Robert Frank (born November 9, 1924), born in Zürich, Switzerland, is an important figure in American photography and film. His most notable work, the 1958 photographic book titled simply The Americans, was heavily influential in the post-war period, and earned Frank comparisons to a modern-day de Tocqueville for his fresh and skeptical outsider's view of American society. Frank later expanded into film and video and experimented with compositing and manipulating photographs.